LONDON / LUXURY / EDITORIAL / FEATURE
Timothy Everest MBE for an editorial feature connecting Bentley ownership with the world of bespoke British tailoring.
Bentley Editorial
Client: Bentley
Project: Bentley Magazine Feature
Locations: Grey Flannel, Chiltern Street, London
Scope: Editorial, portraiture & narrative photography
Duration: 1 Day
Use: Bentley Magazine Print and digital
A Bentley Magazine editorial feature connecting luxury vehicle ownership with the world of bespoke British tailoring.
The brief was to show a parallel standard of craft, discretion and personal service — the kind of quality, judgement and individuality that sits naturally beside the Bentley brand.
Shot at Grey Flannel on Chiltern Street, the feature explored tailoring not as surface luxury, but as a working culture built around fabric, fit, detail, taste and client understanding. The story formed part of a regular editorial series linking Bentley with makers and specialists whose work reflects a comparable level of refinement and exclusivity.
The photography needed to balance portraiture, environment and detail. Timothy Everest was photographed within the store and tailoring space, with cloth, garments, tools and interiors giving the images their context. The aim was to create an elegant but lived-in editorial sequence — polished enough for a luxury publication, but grounded in the reality of a working bespoke environment.
Production Notes
- Location shoot inside Grey Flannel, Chiltern Street, London
- Editorial portraiture of Timothy Everest MBE
- Environmental photography of the store, studio and tailoring details
- Visual emphasis on fabric, fit, service, atmosphere and craft
- Image sequence created for luxury brand editorial use
* Timothy Everest MBE is a British tailor and designer associated with the New Bespoke Movement, recognised for bringing modern ease, individuality and craft into bespoke tailoring. His work has been worn by actors and public figures including Benedict Cumberbatch, Ralph Fiennes, Henry Cavill, Tom Cruise, Tom Holland and Tilda Swinton with costume design for films; Atonement, Skyfall and the Mission: Impossible franchise.
Approach & Consistency
The approach was built around restraint. A project like this does not need obvious luxury signals forced into every frame. The strength sits in the details: cloth handled well, a room with history, the confidence of the subject, the relationship between maker and client, and the quiet authority of a specialist environment.
The photography followed the rhythm of the space, moving between portraiture, interiors, garment details and working moments. The images needed to feel connected to Bentley without becoming automotive, and connected to tailoring without becoming a simple menswear feature.
The visual consistency came from tone rather than repetition — composed, warm, precise and quietly assured.
Outcomes & Use
The final images created an editorial feature that aligned Grey Flannel and Timothy Everest MBE with Bentley’s wider language of craftsmanship, individuality and personal commissioning.
For Bentley, the project gave the magazine a visual story around quality and exclusivity beyond the car itself. The feature positioned bespoke tailoring as part of the same cultural world as Bentley ownership: considered, personal, beautifully made and defined by the client’s relationship with the maker.
Commissions for agencies, publications and organisations across editorial, corporate and commercial photography.
Selected clients include:
· Amazon · Apple · Google · BT Group · NHS · Comic Relief · JPMorgan Chase & Co · Lloyds Banking Group · PwC · NatWest Group · Bank of Scotland · Whyte & Mackay · Grant’s · Diageo · Pernod Ricard · OurWhisky Foundation · Sony · Twitch · Polydor Records · Rolling Stone · The Wall Street Journal · Financial Times · The New York Times · The Sunday Times Magazine · Qantas · British Airways · Boeing · Toyota · Volvo · Bentley · World Health Organisation · Getty · BP · Nike · Scottish Rugby · Runner’s World · Everllence · BAE ·
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